Abstract
The experience of audiences at performative events is too often devoid of stakes. Counter Indications examined how a theatrical installation can use media and spatial design to bring a passive audience into the decision-making process, and past the comfortable catharsis of traditional theatre to experience some of the implications of government-sanctioned interrogation and torture.
Original language | English (US) |
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Pages (from-to) | 33-51 |
Number of pages | 19 |
Journal | TDR - The Drama Review - A Journal of Performance Studies |
Volume | 55 |
Issue number | 2 |
DOIs | |
State | Published - Jun 2011 |
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- Literature and Literary Theory