Abstract
This essay explores queer imag(in)ing by analyzing a contemporary vampire text, Let The Right One In, by John Ajvide Lindqvist. As I argue, the rhetorical act of humanizing vampires is inherently limiting for (queer) audiences and indicative of processes that seek to clarify, assimilate, and tame*in short, normalize, which as Michel Foucault states imposes homogeneity by stamping out difference. Furthermore, I argue that a text can actively resist moments of normalization with the strategic use of what Victor Turner calls liminality*a (queer) rhetorical tactic that resists while seemingly/simultaneously buttressing a liberal humanist belief wherein difference is denied thus displacing and denying the significance of the Other.
Original language | English (US) |
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Pages (from-to) | 103-123 |
Number of pages | 21 |
Journal | Communication and Critical/ Cultural Studies |
Volume | 8 |
Issue number | 2 |
DOIs | |
State | Published - Jun 2011 |
Externally published | Yes |
Keywords
- Imaging
- Imagining
- Liminality
- Lindqvist
- Queer
- Resistance
ASJC Scopus subject areas
- Cultural Studies
- Communication