Abstract
After outlining a conceptual and phenomenological framework for my approach to sound I will reflect on how the detritus of anthropocentric sound in our environments, including sounds from everyday devices, may be more consciously considered in terms of general well-being and livability. I will suggest how an acoustic ecology 2.0 approach might be used to rethink sonic design for both environmental and economic benefit. Finally, I will touch on three projects which apply these ideas: (1) the Listenn project which brings together citizen science and creative place-making in national parks and nature preserves of the American Southwest to build nature stewardship and community agency for the conservation of iconic environments, (2) EcoRift, a series of virtual reality experiences that provides youth, mobility-impaired and global communities with access to nature sanctuaries and serves as a scientific archiving system to track environmental change in these sites; and (3) the Psychoacoustic Mapping Project for the Central Arizona Long-Term Environmental Monitoring initiative.
Original language | English (US) |
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Pages (from-to) | 362-371 |
Number of pages | 10 |
Journal | Contemporary Music Review |
Volume | 35 |
Issue number | 3 |
DOIs | |
State | Published - May 3 2016 |
Keywords
- Acoustic Ecology
- Community Engagement
- Environmental Stewardship
- Phenomenology
- Psychoacoustics
- Virtual Reality
ASJC Scopus subject areas
- Music