TY - JOUR
T1 - Configuring the Baroque
T2 - Warburg and Benjamin
AU - Johnson, Christopher D.
N1 - Publisher Copyright:
© 2016 Informa UK Limited, trading as Taylor & Francis Group.
PY - 2016/5/3
Y1 - 2016/5/3
N2 - This essay compares Aby Warburg’s and Walter Benjamin’s exemplary versions of the Baroque. It examines Warburg’s ambivalent, episodic, but demonstrably crucial attempts to make sense of the Baroque style in light of his cardinal concepts of the pathos formula and the ‘prudence’ that he prizes in the artist and ‘cultural scientist’. It thus also considers the agency and ‘anachronism’ of the Baroque artwork. Then the essay turns to how Benjamin’s Origin of the German Tragic Drama appropriates Warburg’s and the Warburg Circle’s writings to help construct an allegorical, but similarly recursive Baroque. Warburg and Benjamin, it contends, are both keen to redeem the Baroque; but Benjamin does so by plumbing the very daemonic depths that Warburg prudently eschews.
AB - This essay compares Aby Warburg’s and Walter Benjamin’s exemplary versions of the Baroque. It examines Warburg’s ambivalent, episodic, but demonstrably crucial attempts to make sense of the Baroque style in light of his cardinal concepts of the pathos formula and the ‘prudence’ that he prizes in the artist and ‘cultural scientist’. It thus also considers the agency and ‘anachronism’ of the Baroque artwork. Then the essay turns to how Benjamin’s Origin of the German Tragic Drama appropriates Warburg’s and the Warburg Circle’s writings to help construct an allegorical, but similarly recursive Baroque. Warburg and Benjamin, it contends, are both keen to redeem the Baroque; but Benjamin does so by plumbing the very daemonic depths that Warburg prudently eschews.
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U2 - 10.1080/14735784.2016.1151802
DO - 10.1080/14735784.2016.1151802
M3 - Article
AN - SCOPUS:84971370485
SN - 1473-5784
VL - 57
SP - 142
EP - 165
JO - Culture, Theory and Critique
JF - Culture, Theory and Critique
IS - 2
ER -