@inbook{ade651fc32dd458a9864c58a3931ec5d,
title = "Clashing Cultures in “Counterparts”: Navigating among Print, Printing, and Oral Narratives in Turn-of-the-Century Dublin",
abstract = "In this chapter, Miriam O{\textquoteright}Kane argues that the tension in “Counterparts” between oral and print cultures reveals a gendered, literate modern world where a mechanized future is inevitable. O{\textquoteright}Kane reads Joyce{\textquoteright}s text alongside Belinda McKeon{\textquoteright}s rewriting of “Counterparts” in Dubliners 100, arguing that McKeon{\textquoteright}s story “invites a return to the original and uncovers some of the finer nuances of Farrington{\textquoteright}s struggle as linked to not only a broad cultural shift to writing, but one that is destabilized by the tools and roles of mechanical print culture.” O{\textquoteright}Kane{\textquoteright}s reading of the two stories highlights the way that Irish identity is affected by the movement of mechanical reproduction and the need to manage a new discourse of print technology.",
keywords = "Gender Role, Literate Culture, Literate Practice, Power Play, Public House",
author = "Mara, {Miriam O{\textquoteright}Kane}",
note = "Publisher Copyright: {\textcopyright} 2017, The Author(s).",
year = "2017",
doi = "10.1007/978-3-319-39336-0_8",
language = "English (US)",
series = "New Directions in Irish and Irish American Literature",
publisher = "Palgrave Macmillan",
pages = "145--159",
booktitle = "New Directions in Irish and Irish American Literature",
}