TY - GEN
T1 - The Soundtrack of Our Lives (SOUL)
T2 - 54th IEEE Frontiers in Education Conference, FIE 2024
AU - Figard, Rachel
AU - Bekki, Jennifer
AU - Brunhaver, Samantha
N1 - Publisher Copyright:
© 2024 IEEE.
PY - 2024
Y1 - 2024
N2 - This research paper explores the intersectionality of disabled students in engineering education, with a novel focus on using music as a reflective tool during the research process. Drawing from intersectionality frameworks - which emphasize the compounded nature of identities such as race, class, gender, sexuality, ethnicity, nationality, disability status, age, and geographical location - this study investigates the unique ways in which disabled students with multiple marginalized identities navigate through undergraduate engineering. Semi-structured interviews were conducted with seventeen disabled undergraduate engineering students over the 2023-2024 school year. At the end of each interview, students were asked to select songs that represented their experiences in engineering as individuals with multiple marginalized identities. The analysis of their chosen songs and the lyrics' relevance to their personal narratives provided a deeper understanding of the intersections of sexism, ableism, and capitalism within their educational experiences. The full paper expands on how music served not only as a method for eliciting rich, qualitative data but also as a reflective tool for both interviewees and researchers.
AB - This research paper explores the intersectionality of disabled students in engineering education, with a novel focus on using music as a reflective tool during the research process. Drawing from intersectionality frameworks - which emphasize the compounded nature of identities such as race, class, gender, sexuality, ethnicity, nationality, disability status, age, and geographical location - this study investigates the unique ways in which disabled students with multiple marginalized identities navigate through undergraduate engineering. Semi-structured interviews were conducted with seventeen disabled undergraduate engineering students over the 2023-2024 school year. At the end of each interview, students were asked to select songs that represented their experiences in engineering as individuals with multiple marginalized identities. The analysis of their chosen songs and the lyrics' relevance to their personal narratives provided a deeper understanding of the intersections of sexism, ableism, and capitalism within their educational experiences. The full paper expands on how music served not only as a method for eliciting rich, qualitative data but also as a reflective tool for both interviewees and researchers.
KW - qualitative
KW - reflection
KW - reflective practice
KW - Students with disabilities
KW - women
UR - https://www.scopus.com/pages/publications/105000749026
UR - https://www.scopus.com/pages/publications/105000749026#tab=citedBy
U2 - 10.1109/FIE61694.2024.10893480
DO - 10.1109/FIE61694.2024.10893480
M3 - Conference contribution
AN - SCOPUS:105000749026
T3 - Proceedings - Frontiers in Education Conference, FIE
BT - 2024 IEEE Frontiers in Education Conference, FIE 2024 - Proceedings
PB - Institute of Electrical and Electronics Engineers Inc.
Y2 - 13 October 2024 through 16 October 2024
ER -