@article{feb055eaa1954a70aa76c074260294ff,
title = "Nicodemus and Sculptors: Self-Reflexivity in Works by Adam Kraft and Tilman Riemenschneider",
author = "Corine Schleif",
note = "Funding Information: The following article incorporates material from papers presented in James Marrow's session on artistic self-consciousness at the International Congress on Medieval Studies in 1988 and at the Sixteenth Century Studies Conference in 1990, and from talks given at Yale University and Bryn Mawr College. I am grateful for the suggestions given on these occasions and for those of students in my seminars at the Universitat Bamberg, University of Minnesota, and Arizona State University, as well as those of Wolfgang Kemp and the members of his Graduiertenkolleg {"}Kunst im Kontext{"} at Philipps-Universitat, Marburg. I am also indebted to Bernward Deneke, Peter Fleischmann, Karl Kohn, Edith Luther, Matthias Mende, Nancy Serwint, Charles S. Sohn, John Steyaert, and Georg Stolz for comments and information. Particularly I would like to acknowledge the research assistance of Kevin Petty, the aid ofAlfred Michler, and the criticism of Elizabeth Lipsmeyer, who read a draft of this article. Unless otherwise noted, the translations are my own. I thank Frank Sommer for emending those from Latin texts. Research in Germany was made possible through a Faculty Grant-in-Aid from Arizona State University and a Getty Postdoctoral Fellowship. Copyright: Copyright 2016 Elsevier B.V., All rights reserved.",
year = "1993",
month = dec,
day = "1",
doi = "10.2307/3045986",
language = "English (US)",
volume = "75",
pages = "599--626",
journal = "The Art Bulletin",
issn = "0004-3079",
publisher = "Taylor and Francis Ltd.",
number = "4",
}