Manikin-ship: Value-added relatedness in Vietnamese museums, 1996-2005

Research output: Contribution to journalReview articlepeer-review

3 Scopus citations


Objects are telling of identity and difference, through possession, exchange, and display, but this dynamic must be historicised and socially situated. In this article, I focus on the signification of ethnicity in Vietnamese museums, particularly on an apparent distinction between historically 'hot' and 'cold' matter. The earliest displays responded to the previous hegemony of French colonial significations. Subsequent national exhibits consistently enable Vietnam through assemblies of objects and images, but suggest-when examined over time-fundamentally different configurations of the nation, ethnicity, gender, and historicity. Object assemblies, where a centrepiece signifies the surrounding objects, indicate repeated prospecting for new social assemblages, most recently situating Vietnam in post-Cold War networks through the Southeast Asian kinship implied in the nation's ethnic diversity.

Original languageEnglish (US)
Pages (from-to)212-228
Number of pages17
JournalAustralian Journal of Anthropology (The)
Issue number2
StatePublished - Aug 2012

ASJC Scopus subject areas

  • Anthropology


Dive into the research topics of 'Manikin-ship: Value-added relatedness in Vietnamese museums, 1996-2005'. Together they form a unique fingerprint.

Cite this