Abstract
Gandhi’s concept of civil disobedience is analyzed through an application of Kenneth Burke’s "comic frame." His leadership of the Indian civil rights movement is characterized by a ritual form emphasizing a recognition of both social and individual power, attempts at identification with the social order even while attacking it, and an emphasis on epiphany as a ritual goal. The "comic frame," it is argued, is a useful construct for interpreting and assessing certain rhetorical movements.
Original language | English (US) |
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Pages (from-to) | 446-455 |
Number of pages | 10 |
Journal | Quarterly Journal of Speech |
Volume | 72 |
Issue number | 4 |
DOIs | |
State | Published - Nov 1986 |
ASJC Scopus subject areas
- Communication
- Language and Linguistics
- Education