TY - CHAP
T1 - Depictions of intimate partner violence
T2 - Responses of college-aged youth to the music video "love the way you lie"
AU - Thaller, Jonel
AU - Brown, Megan Lindsay
AU - Messing, Jill Theresa
N1 - Publisher Copyright:
© 2020 by IGI Global.
PY - 2019/11/29
Y1 - 2019/11/29
N2 - The music video for Eminem and Rihanna's hit single "Love the Way You Lie" (2010) reproduces commonly held myths about intimate partner violence (IPV), primarily that many women instigate their abuse or even enjoy it. Music video culture has been of concern to parents, researchers, and policymakers because youth are considered developmentally susceptible to gendered sexual scripts. However, some scholars suggest that audience members, rather than being passive consumers, are practical actors who filter information according to first- and secondhand experiences. This study examined how young adults ' respond to the depiction of IPV in the music video for "Love the Way You Lie. "Findings indicated strong emotional response, a tendency to filter media through personal experiences, and a continuation of gendered blame. However, participants also demonstrated critical analysis. Thus, even when depictions are sensational or reinforce myth-based beliefs and gendered biases, young adults are capable of being critical consumers of popular culture.
AB - The music video for Eminem and Rihanna's hit single "Love the Way You Lie" (2010) reproduces commonly held myths about intimate partner violence (IPV), primarily that many women instigate their abuse or even enjoy it. Music video culture has been of concern to parents, researchers, and policymakers because youth are considered developmentally susceptible to gendered sexual scripts. However, some scholars suggest that audience members, rather than being passive consumers, are practical actors who filter information according to first- and secondhand experiences. This study examined how young adults ' respond to the depiction of IPV in the music video for "Love the Way You Lie. "Findings indicated strong emotional response, a tendency to filter media through personal experiences, and a continuation of gendered blame. However, participants also demonstrated critical analysis. Thus, even when depictions are sensational or reinforce myth-based beliefs and gendered biases, young adults are capable of being critical consumers of popular culture.
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U2 - 10.4018/978-1-7998-1063-6.ch005
DO - 10.4018/978-1-7998-1063-6.ch005
M3 - Chapter
AN - SCOPUS:85125428619
SN - 9781799810636
SP - 82
EP - 98
BT - Recent Advances in Digital Media Impacts on Identity, Sexuality, and Relationships
PB - IGI Global
ER -