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Dive into the research topics where Claudia Mesch is active. These topic labels come from the works of this person. Together they form a unique fingerprint.
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“Mankind Needs Some Lead so as to Be Somewhat Heavier”: Beuys, Alchemy, and Duchamp
Mesch, C., Jan 1 2021, Lead in Modern and Contemporary Art. Bloomsbury Publishing Plc., p. 139-159 21 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Shadows of the colonial: David Hare, empathetic perception, and ethnographic surrealism in the 1940s
Mesch, U., Mar 1 2015, In: South Central Review. 32, 1, p. 76-95 20 p.Research output: Contribution to journal › Review article › peer-review
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Berlin and post-meinhof feminism: Yvonne rainer's Journeys from Berlin/1971
Mesch, U., Sep 15 2010, Berlin Divided City, 1945-1989. Berghahn Books, Vol. 6. p. 135-144 10 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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MODERN ART AT THE BERLIN WALL: Demarcating Culture in the Cold War Germanys
Mesch, C., Jan 1 2009, Bloomsbury Publishing Plc. 321 p.Research output: Book/Report › Book
6 Link opens in a new tab Scopus citations -
Vostell's ruins: Dé-collage and the mnemotechnic space of the postwar city
Mesch, C., 2000, In: Art History. 23, 1, p. 88-115 28 p.Research output: Contribution to journal › Review article › peer-review
7 Link opens in a new tab Scopus citations
Projects
- 3 Finished
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Surrealism and the American West Conference
Mesch, C. (PI)
National Endowment for the Arts (NEA)
10/14/06 → 10/31/06
Project: Research project
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